Onstage is a two-story house. From one angle, it’s mucked out after a flood. From another, it’s a new development wrapped in Tyvek. And from another, it’s “Tara” from Gone with the Wind being transformed into an Airbnb. The piano can’t be tuned. Someone is quilting in the corner. Come in.
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Onstage is a two-story house. From one angle, it’s mucked out after a flood. From another, it’s a new development wrapped in Tyvek. And from another, it’s “Tara” from Gone with the Wind being transformed into an Airbnb. The piano can’t be tuned. Someone is quilting in the corner. Come in.
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New York City-based new music chamber group loadbang is building a new kind of music for mixed ensemble of trumpet, trombone, bass clarinet, and baritone voice.
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Our guest will work with several of the Conservatory’s fine pianists on various works.
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The Thin Place lifts the veil between the living and the dead as two women communicate with the other side.
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In FLEX, Candrice Jones delivers a powerful exploration of ambition, identity, and sisterhood through the lens of a women’s basketball team.
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The true story of a little Jewish play, Indecent recounts the history of the groundbreaking 1923 Broadway play God of Vengeance.
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Conservatory of Music students present chamber works.
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Group will work with various instrumentalists and chamber ensembles performing works of New Music.
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A cornucopia of cutting‐edge works by masters and emerging composers. George Brunner, Director
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